![]() One character directly references Shutter, and The Shining ’s room 237 gets a mention, too. Purijitpanya ( Phobia, Phobia 2 ) knows horror and crafts a couple of effective early scares. Wee and Gla’s baffling arcs muddy what exactly it is that this film is trying to say. Both make illogical choices that remove rooting interest by the third act, as likable characters become awful. Early scares get all but forgotten.ĭespite its nearly two-hour runtime, Ghost Lab forgoes proper build-up in the massive left-field turns in Wee and Gla’s arcs. ![]() Curiosity gets replaced with suffocating guilt and contrasting philosophies. Ghost Lab is less about paranormal science and more about superstition and emotional devastation for a long stretch. It marks the first jarring change in tone, and horror-comedy gets sidelined for heavy drama. Once through all those familiar beats, though, the narrative shifts with a shocking event. Complete with spooky scenes, all set within the atmospheric hospital. This first act follows an established mold the friends use cameras, temperature, and various ghost hunting tools to document their finds. One creepy encounter with the ghost of a horrifically burned patient later, and the pair begin their series of experimentations. Wee’s emotional stakes come in the form of his devotion to an unresponsive, sickly mother. Gla and Wee trade light-hearted pranks, which establishes their bond. Experimentation leads to reckless obsession, and the quest becomes dangerous.ĭirected by Pawan Purijitpanya, who co-wrote the script with Vasudhorn Piyaromna and Tossaphon Riantong, Ghost Lab begins as a horror-comedy. When the friends encounter a terrifying ghost during a late shift, it sparks the pursuit of proof in the name of science. Gla is the extrovert in a happily committed relationship with Mai ( Nuttanicha Dungwattanawanich). Wee practically lives at the hospital to care for his long comatose mother. ![]() Young doctors Wee ( Thanapob Leeratanakachorn) and Gla ( Paris Intarakomalyasut) work together at a hospital, but their friendship goes back much further than their working relationship. While it quickly transcends a familiar setup, its massive shifts through tone and narrative induce jarring whiplash. Seeking and acquiring proof of life after death becomes the driving force for the two leads in the Thai horror movie Ghost Lab. It’s one of the most prominent unknowable questions to life, which means the fictional possibilities are endless. This is when Ghost Lab is at its peak.Ghost hunting and seeking tangible proof of the afterlife is a frequent motif in paranormal horror. With further thrills and a faster pace, the film becomes a crazy ride that is hard to predict as to what may happen next. It is at this point that the wild ride begins and I became fully invested in the film. ![]() ![]() I will be surprised if anyone will see it coming. And then, at around the 50-minute mark, something massive happened. I found myself desperately hoping that something exciting would develop. The first 50 minutes of Netflix’s Ghost Lab is, to be brutally honest, extremely boring. Their main problem? Ghosts are unable to be on camera. Arj brings Wee to his Ghost Lab as they set about trying to prove ghosts exist. However, after experiencing a ghost encounter together, they soon find themselves embarked on a mission to prove that ghosts exist. Meanwhile, Wee works at the hospital purely to be closer to his ill mother. Arj was younger, he believed that he saw his Dad’s spirit and has grown obsessed with the theory ever since. Both actors play the roles well, bringing life and depth to the film, which has a limited cast. Arj-Ong ( Paris Intarakomalyasut), two friends who work at a hospital. This story follows Wee ( Thanapob Leeratanakajorn) and Dr. ![]()
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